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According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2] Chinese symbols and motifs are often found in Chinese decorative arts, porcelain ware, clothing, and ...
Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. [5] Some of these Chinese auspicious ornaments were also adopted by European countries during the era of Chinoiserie, where they became decorative patterns ...
The Qingjing Jing (simplified Chinese: 清静经; traditional Chinese: 清靜經; pinyin: Qīngjìng Jīng; Wade–Giles: Ch'ing Ching Ching; lit. 'Classic of Clarity/Purity and Stillness/Tranquility') is an anonymous Tang dynasty Taoist classic that combines philosophical themes from the Tao Te Ching with the logical presentation of Buddhist texts and a literary form reminiscent of the Heart ...
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Fuzzy kiwifruit [7] The fuzzy kiwifruit is the national fruit of China. [7] It has fuzzy, dull brown skin and tangy, bright green flesh. Jujube [7] The jujube (Ziziphus zizyphus) is the second national fruit of China. [7] It is an oval drupe 1.5-3 centimeters deep; it resembles a date and has a single hard stone like an olive. National tree ...
The peach, gourd, and scroll are symbols of longevity." [2] His most striking characteristic is, however, his large and high forehead, which earned him the title "Longevity Star Old-pate". [2] The Chinese character shòu (壽) is usually found on textiles, furniture, ceramics and jewelry. The ideograph may appear alone or be surrounded by ...
The decorative patterns and visual motifs used by the Manchu rulers were adopted from the Han Chinese's adornment designs, decorations, and symbols rooted in Taoism and Buddhism; they were then adapted into new set of designs. [15] [2] [7] Lishui was thus added to on the bottom hem and/or on the sleeves of the court robes. Lishui found on the ...
Cook, Richard (2001), The Extreme of Typographic Complexity:Character Set Issues Relating to Computerization of The Eastern Han Chinese Lexicon Shuowenjiezi (PDF), STEDT Project, Linguistic Department, University of California, Berkeley, pp. 28–29: List of the 540 radicals in Xiaozhuan