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Marianne and Juliane (German: Die bleierne Zeit; lit."The Leaden Time" [1] or "Leaden Times" [2]), also called The German Sisters in the United Kingdom, [3] is a 1981 West German film directed by Margarethe von Trotta.
Margarethe von Trotta (German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta] ⓘ) (born 21 February 1942, Berlin, Germany) [1] is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. [2] [3] Von Trotta's extensive body of work has won awards internationally. [2]
Leading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice ...
Benigna Gottliebe was the daughter of the Baltic-German nobleman Wilhelm von Trotta genannt Treyden (d. 1725) and his wife, Anna Elisabeth von Wildemann. She was made a lady-in-waiting to the dowager duchess regent of Courland, Anna of Russia, in 1720, and in 1723 married to Anna's lover and adviser Ernst Johann von Bühren.
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies).
Pioneering female filmmaker Margarethe von Trotta will receive this year’s lifetime achievement honor at the 35th European Film Awards. The German director and screenwriter has been a force on ...
Critical reception has been overwhelmingly positive. The film was nominated for the best feature award (Gold Hugo) at the 1978 Chicago International Film Festival and has won the following awards, all in 1978: Otto-Dibelius-Preis, Deutscher Filmpreis (Filmband in Gold for acting as well as Filmband in Silber) and FBW (Deutsche Film- und Medienbewertung for high overall quality). [2]
The first 48 volumes of The Illustrated Bartsch present every old master print in Adam von Bartsch's Le Peintre-Graveur, and are referred to as “picture atlases.” Abaris Books coined this term in the General Plan to refer to the volumes which illustrate the original list of painter-engravers.
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