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The fifth season was criticized for becoming too slow, turning the show from "slow burn" into just "warm embers". According to Fields and Weisberg, they wanted the fifth season "to feel different as it unspooled", harvesting the story pieces created in the fourth season. [29] The fifth season was not meant as a set-up for the sixth season.
The first season of The Americans received positive reviews from critics. On Rotten Tomatoes , it received an 88 percent approval rating with an average score of 7.9 out of 10 based on 58 reviews, with a critics' consensus of: " The Americans is a spy thriller of the highest order, with evocative period touches and strong chemistry between its ...
The Americans is an American television drama series created by Joe Weisberg, which premiered on January 30, 2013, on the cable network FX.Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth (Keri Russell) and Philip Jennings (Matthew Rhys), two Soviet KGB officers posing as U.S. citizens and a married couple.
"The Midges" is the third episode of the fifth season of the American period spy drama television series The Americans. It is the 55th overall episode of the series and was written by supervising producer Tracey Scott Wilson, and directed by Stefan Schwartz. It was released on FX on March 21, 2017.
That's sort of how I felt about this whole episode. After three stellar opening shows, the fourth one of this season just feels like it's running in place." [9] Mike Hale of The New York Times wrote, "There was no action in this week’s episode of The Americans. I mean that literally: In a week with no murders or chases, the most active scene ...
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The site's consensus states: "'Dyatkovo' puts its protagonists to the test with a grueling final act that poses high-stakes questions for The Americans ' series endgame." [5] Erik Adams of The A.V. Club gave the episode an "A" grade and wrote, "When I watched 'IHOP' and 'Darkroom,' I really, truly believed that they were The Americans at its ...
Shows like "Breaking Bad" and "The Wire" consistently won over critics, and their best seasons set a standard for what great TV looks like.