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The video has over 100 million views, making it Maricarmen's most viewed video and the first video by a Peruvian female singer to achieve that. Some parts of the video are shown as flashbacks in Maricarmen's video for her 2019 hit song La Copita, which is a sequel to ¿Por Qué Te Fuiste?. [6]
Jaime Enrique Aymara Reinoso (Quito, June 24, 1968) is an Ecuadorian singer and actor of tecnocumbia, tecnopaseíto bachata, national music, pasillo, pump Bolero, guayno jukebox pop music merengue, pop-flamenco, cumbia pop ballads, salsa, vallenato reggaeton and waltz.
Salgado was born in Texas, although his family roots are in Barrancos, Chihuahua, Mexico. [1]Salgado gained prominence in the mid-1990s by looking back to the 'norteño' sound influenced by Ramon Ayala, and by subsequently introducing the style to the younger generation.
"¿Por Qué Te Tengo Que Olvidar? " (English: Why Do I Have to Forget You? ) is a ballad written by Luis Ángel, co-written by Edwin Apolinaris and Tommy Villarini, produced by Rudy Pérez , co-produced by Ricardo Eddy Martínez and performed by Puerto Rican-American singer-songwriter José Feliciano .
La Sonora Dinamita is a Colombian [1] and Mexican [2] [3] [4] musical group that plays cumbia, a Tropical music genre from Colombia but popular throughout Latin America. As one of the first cumbia groups to reach international success, it is credited with helping to popularize the genre throughout Latin America and the world.
"Te Fuiste" is a song by Spanish singer Enrique Iglesias featuring Puerto Rican rapper Myke Towers. It was released as single from Iglesias' eleventh studio album Final (Vol. 1) . Music video
Jairo, pseudonym of Mario Rubén González Pierotti (born June 16, 1949), is an Argentine singer-songwriter and composer. Throughout his career, he has performed more than 500 songs in Spanish, French and Italian.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.