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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
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French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include the uvular r present in some accents, nasal vowels, and three processes affecting word-final sounds:
The use of the preposition pour ("for") after the verbs demander ("ask [for]") and chercher ("search/look [for]") is also a syntactic anglicism. Morphological anglicisms are literal translations (or calques) of the English forms. With this kind of borrowing, every element comes from French, but what results from it as a whole reproduces ...
Dumas, Denis (1987), Nos Façons de Parler: les Prononciations en Français Québécois, Sillery, Quebec: Presses de l'Université du Québec, ISBN 2-7605-0445-X; Reinke, Kristin (2005), La langue à la télévision québécoise: aspects sociophonétiques (PDF), Gouvernement du Québec, ISBN 2-550-45542-8
The circumflex first appeared in written French in the 16th century. It was borrowed from Ancient Greek, and combines the acute accent and the grave accent.Grammarian Jacques Dubois (known as Sylvius) is the first writer known to have used the Greek symbol in his writing (although he wrote in Latin).
Some sources distinguish "diacritical marks" (marks upon standard letters in the A–Z 26-letter alphabet) from "special characters" (letters not marked but radically modified from the standard 26-letter alphabet) such as Old English and Icelandic eth (Ð, ð) and thorn (uppercase Þ, lowercase þ), and ligatures such as Latin and Anglo-Saxon Æ (minuscule: æ), and German eszett (ß; final ...
They can be compared to the various types of accents in music theory. In some contexts, the term stress or stress accent specifically means dynamic accent (or as an antonym to pitch accent in its various meanings). A prominent syllable or word is said to be accented or tonic; the latter term does not imply that it carries phonemic tone.