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Ten Preludes on Hymn Tunes (1950s, published by H.W. Gray in 1956, includes Deus tuorum militum, Sine nomine, St. Dunstan's, Capel, Song 46, St. Patrick, Were you there?, Land of rest, Charterhouse, and Ad perennis vitae fontem) [1] Sinfonia Brevis (1965) Passacaglia (1967)
Chrysogonus Waddell identifies seven new melodies, the last four of which are Cistercian creations: Optatis votis omnium, Almi prophet (used today for Aurea lucis), O quam glorifica, Deus tuorum militum, Mysterium ecclesiae, Iesu nostra redemptio and Iam Christus astra, all very expressive and of great emotional intensity. [3]
Deus tuorum militum I, a 1 SV 278b Iste confessor I, a 1 SV 279 Iste confessor II, a 2 SV 279a Ut queant laxis SV 280 Deus tuorum militum II, a 3 SV 281 Magnificat I, a 6 SV 282 Magnificat II, a 4 SV 283 Salve Regina I SV 284 Salve Regina II SV 285 Salve Regina III SV 286 Jubilet tota civitas SV 287 Laudate dominum in sanctis eius SV 288
Giovanni Pierluigi da Palestrina, lithograph by Henri-Joseph Hesse. This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre.The volume (given in parentheses for motets) refers to the volume of the Breitkopf & Härtel complete edition in which the work can be found.
Accompanists to hymn singing had a tune book, a volume with a collection of tunes, most without words, the exception being the occasional lyric when underlay of words to the music was ambiguous. An example of this was The Bristol Tune Book . [ 25 ]
Selva morale e spirituale (SV 252–288) is the short title of a collection of sacred music by the Italian composer Claudio Monteverdi, published in Venice in 1640 and 1641. . The title translates to "Moral and Spiritual Forest".
Shaker music (2 C, 3 P) Pages in category "Hymn tunes" The following 106 pages are in this category, out of 106 total. This list may not reflect recent changes. *
Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – c. 20–27 August 1611) was the most famous Spanish composer of the Renaissance.He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy ...