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The Yamaha GX-1, first released as Electone GX-707, [a] [3] is an analog polyphonic synthesizer developed by Yamaha as a test bed for later consumer synths and Electone series organs for stage and home use. The GX-1 has four synthesizer "ranks" or three manuals, called Solo, Upper, and Lower, plus Pedal, and an analog rhythm machine. [2]
Korg M1: PCM sample based dual oscillator synth engine, with built-in effects, sequencer and drum machine, the M1 introduced many to the concept of a music workstation, a keyboard that could handle live performance, MIDI, sequencing, expandable sound banks, effects, and more in a single package. The best-selling synthesizer of all time (with ...
The Korg PS-3300 is a polyphonic analog synthesizer released by Korg in 1977. It was released alongside the PS-3100, a more compact variant featuring a complete synthesizer voice board for each of its 48 keyboard notes. The PS-3300 essentially combines three PS-3100 units, triggering all voices simultaneously with each key press and mirroring ...
The JX-3P is a six-note polyphonic, 2 DCOs, 61 key synthesizer with sawtooth, 50 and 10% pulse waveforms, and a noise generator. It has 32 factory programs in ROM , and user memory for 32 programs. The JX-3P also features a built-in 128-step polyphonic sequencer that can be synchronized to external devices, such as drum machines, connected to ...
PAiA's modular synthesizers, with prices starting under $1,000, were groundbreaking in their affordability and ease of use. [ citation needed ] At a time when synthesizers from Moog Music and ARP could cost anywhere from $5,000 to $10,000, PAiA's most basic modular system, the 2700, started at $230, with prices for modules ranging from $50 to $800.
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977. [2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital ...
The CZ-1000 was the second fully programmable phase distortion synthesizer that Casio introduced. This synthesizer, introduced in 1984, [7] was identical to the CZ-101 in function, but used full size keys and more attractive membrane buttons. It was also somewhat larger than the CZ-101. Like the CZ-101, this synthesizer had 49 keys.
The Odyssey is a two-oscillator analog synthesizer, and one of the first with duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel.
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