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"Epitaph One" is the 13th episode of the first season of the American science fiction television series Dollhouse. The episode originally aired on the Season Pass on demand service from SingTel mio TV in Singapore on June 17, 2009 and later became available on DVD and Blu-ray on July 28, 2009.
Mansion of Hidden Souls, called Tale of the Dream Mansion (夢見館の物語, Yumemi Yakata no Monogatari) in Japan, and Yumemi Mystery Mansion in Europe, is an adventure video game released for the Sega CD, developed by System Sacom and published by Sega in Japan and PAL regions and by Vic Tokai in North America.
The story follows Echo, who begins, in her mind-wiped state, to become self-aware. [3] During its two-season run, Dollhouse explores the issues of the morality and philosophy behind its technology, as well as showcasing the disastrous consequences of what could happen if the ability to wipe away a person's entire being could be put in the wrong ...
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The artist Steve Manthorp created a full-size version of James's dolls' house. [16] The story has been adapted as a short film by Stephen Gray [17] and as a play by Karen Henson, which has been produced by the Rumpus Theatre Company. [18] It has also been retold online in Toby Litt's "Slice" through the media of blogs, tweets and emails. [19]
Echo is a fictional character portrayed by Eliza Dushku in the Fox science fiction series Dollhouse, created by Joss Whedon.Within the series' narrative, Echo is an "Active" or a "doll", one of a group of men and women who can be programmed with memories and skills to engage in particular assignments; in their default state, Actives are innocent, childlike and suggestible.
In Omega, November's original persona and memories are restored and she is released from her contract early with full payment at the request of Paul Ballard, in exchange for him joining the Dollhouse's staff; she returns to her life as Madeline Costley, in which she had a deceased daughter named Katie. November's character was originally ...
Jevon Phillips from Los Angeles Times said of "The Left Hand" that it was "SO GOOD that it creates a kind of melancholy knowing that this too will end." [1] Eric Goldman from IGN said of the episode, "was quite a bit more disjointed than the one that proceeded it – though it at least still possessed an energy and momentum that other Dollhouse episodes have lacked."