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In Oyo State, for example, the prohibition of tribal marks is an integral part of the state Child Rights Law, a law that imposes a fine or one-month imprisonment or both for violation. [20] According to the law, "No person shall tattoo or make a skin mark or cause any tattoo/skin mark to be made on a child". [21]
Wooden maternity figure with elaborate scarification from Ndemba, Lulua Province, Democratic Republic of the Congo. Scarification in Africa is a major aspect of African cultures and cultural practice among African ethnic groups; the practice of scarification in Africa includes the process of making "superficial incisions on the skin using stones, glass, knives, or other tools to create ...
An Igbo man with facial marks of nobility known as Ichi [1]. Ichi was a form of facial ritual scarification worn by mainly men of the Igbo people of Nigeria.The scarification indicated that the wearer had passed through initial initiation into the aristocratic Nze na Ozo society, [2] thus marking the wearer as nobility.
The scars tend to spread as they heal, so final designs are usually simple, the details being lost during healing. Scarification being created. Some common scarification techniques include: Ink rubbing Tattoo ink (or similar agent) is rubbed into a fresh cut to add color or extra visibility to the scar. Most of the ink remains in the skin as ...
A two coil tattoo machine. Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand-tapping the ink into the skin using sharpened ...
Uli (Uri) are the curvilinear traditional designs drawn by the Igbo people of southeastern Nigeria. These designs are generally abstract, consisting of linear forms and geometric shapes, though there are some representational elements. Traditionally, these are either stained onto the body or painted onto the sides of buildings as murals. [1]
Some Nigerian ethnic groups, such as the Yoruba, and some northern Nigerian ethnic groups, had traditional, cultural identification marks, such as tattoo and scarification designs. These could have assisted a kidnapped and enslaved person who escaped in locating other members of their ethnic group, but few enslaved people managed to escape the ...
Nsibidi is used on wall designs, calabashes, metals (such as bronze), leaves, swords, and tattoos. [ 2 ] [ 8 ] It is primarily used by the Ekpe leopard society (also known as Ngbe or Egbo), a secret society that is found across old Cross River region among the Igbo , Ekoi , Efik , Bahumono , and other nearby peoples.
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