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Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
Sicut cervus. Four-part (1868) Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868) Le ciel a visité la terre. Words by A. de Ségur (1868) In English by Farnie (1877) Prière pour l'empereur et la famille impériale. Words by Baclen (1869) L'anniversaire des martys, 6 canticles. Words by C. Dallet. With piano or organ (1870)
Quemadmodum desiderat cervus (or Sicut cervus desiderat) ad fontes aquarum ita desiderat anima mea ad te Deus. [4] (As a hart longs for the flowing streams, so longs my soul for thee, O God.) The phrase in the humanist sense is associated with the poet Petrarch, whose poems Rerum Vulgarium Fragmenta (c.1350) use the deer imagery of the Psalm.
Sicut Cervus for women's voices; composed for the 25th Anniversary of the Texas Collegiate Women's Choral Festival, (2004) Still I Rise SSAA (2005) [5] Sometimes I Feel like a Motherless Child SATB a cappella (2003) Sing Unto The Lord SATB a cappella (2003) Good News! SSAA a cappella (2003) Drinkin' of the Wine SATB a cappella (2002)
Magnificat in Gregorian chant. In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: Tonus I (first tone): Magnificat primi toni; Tonus II (second tone): Magnificat secundi toni; Tonus III (third tone): Magnificat tertii toni; Tonus IV (fourth tone): Magnificat quarti toni; Tonus V (fifth tone): Magnificat ...
Cantiones sacrae (literally: Sacred chants), Op. 4, is a collection of forty pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the Schütz-Werke-Verzeichnis (SWV), the catalogue of his works.