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"We Got the Power" is the second single from the band's album Humanz and was produced by Damon Albarn, Remi Kabaka, and the album's executive producer The Twilite Tone. The song features guest vocals from Jehnny Beth, the lead singer of the British band Savages as well as backing vocals from American rapper D.R.A.M. and Noel Gallagher.
"We Got the Power" is a song by Swedish singer Loreen. [1] The song was written by Ester Dean and Geoff Earley. It was released in Sweden as a digital download by Warner Music Sweden on 15 May 2013. She performed the song during the final of the Eurovision Song Contest 2013.
"The Power" was the seventh song with the highest recognisability rate. [28] In 2022, Classic Pop ranked it number three in their list of the top 40 dance tracks from the 90's, [29] while Rolling Stone ranked it number 188 in their "200 Greatest Dance Songs of All Time". [5]
We Got the Power may mean: "We Got the Power" (Gorillaz song), 2017 ... "We Got the Power", a 2005 song by Dropkick Murphys from Singles Collection, Volume 2
Noel Gallagher performing live in 2012. Gallagher's appearance on the song "We Got The Power" was an important feat for him and Albarn, as Albarn's previous project Blur and Gallagher's Oasis had participated on a conflict dubbed by "The Battle of Britpop", where they mutually insulted and competed against each other.
"We Got the Power" marked Loreen's third worldwide single and appears in the reissue of Loreen's debut album Heal. In Sweden, it charted at number fifty-two. Loreen competed in Melodifestivalen 2017 with the song "Statements" for a chance to represent Sweden again at the Eurovision Song Contest 2017.
In 2019, Burnett's song "We Got the Power" was used as an opening for WWE's 2019 Royal Rumble. [6] "Cold Blooded" was the Chicago Cubs' spring 2019 theme song, and Dude Perfect commonly uses his songs in their videos. [2]
[4] [5] [6] "A Woman's Got the Power" was covered by Clarence Clemons & the Red Bank Rockers on the 1983 album Rescue. [7] In 2004, Philadelphia Weekly ranked the album on its list of the "100 Best Philly Albums of all Time". [8] The A's, despite adopting a more commercial sound on their second album, were dropped by Arista.
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