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  2. I Wanna Love You Forever - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You_Forever

    I Wanna Love You Forever" was the eleventh best-selling physical single of the 2000s, according to Nielsen SoundScan. [23] It also became Simpson's best-selling physical single to-date. The single experienced a significant level of airplay, reaching the Top 20 on the Hot 100 Airplay chart. [ 24 ]

  3. I Wanna Love You (Jade song) - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You_(Jade_song)

    "I Wanna Love You" is a song by American girl group Jade, [1] released in September 1992 by Giant Records as the debut single from their first album, Jade to the Max (1992). [2] The song was written by Vassal Benford and Ronald Spearman, and produced by Benford. It was also included on the soundtrack to the 1992 film Class Act, starring Kid 'n ...

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  5. List of jazz tunes - Wikipedia

    en.wikipedia.org/wiki/List_of_jazz_tunes

    This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.

  6. I Wanna Love You - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You

    I Wanna Love You may refer to: "I Wanna Love You" (Akon song), 2006 "I Wanna Love You" (Jade song), 1992 "I Wanna Love You", a song by Estelle from The 18th Day

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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