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Antonio Vivarini (Antonio of Murano) (active c. 1440 – 1480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano .
Madonna and Child, tempera and gold on panel painting by Bartolomeo Vivarini, c. 1475, Honolulu Museum of Art. Bartolomeo or Bartolommeo Vivarini (c. 1432 – c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499.
Bartolomeo Vivarini is known to have worked from 1450 to 1499. He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. This is in the church of San Giovanni e Paolo, a large altarpiece in nine divisions, representing Augustine and other saints.
Giovanni d'Alemagna [a] (Italian pronunciation: [dʒoˈvanni daleˈmaɲɲa]; born Johannes Alamanus; c. 1411 – 9 July 1450) was a Venetian renaissance painter of German ancestry, active in Italy, with his brother-in-law Antonio Vivarini on religious paintings in Venice and Padua, that are preserved in the named cities together with those of Vivarini.
Alvise Vivarini: Retable of the Pentecost (Bode-Museum, Berlin) Alvise or Luigi Vivarini (1442/1453–1503/1505) was an Italian painter, the leading Venetian artist before Giovanni Bellini. Like Bellini, he was part of a dynasty of painters. His father was Antonio Vivarini and his uncle, with whom he may have trained, was Bartolomeo Vivarini.
Master of San Severino: Polyptych of San Severino Noricense: c.1472 Master of the Annunciation: Annunciation to the Shepherds: 1625–1630 Paolo de Matteis: Self-portrait: post 1714 Guido Mazzoni: Bust of Alfonso of Aragon, Duke of Calabria or Ferrante II of Aragon: 1492–1493 Francesco Mazzola (il Parmigianino) Holy family: 1525–1527
Artists' Television Access (ATA) is a non-profit art gallery and screening venue in San Francisco's Mission District in the United States of America. ATA exhibits work by emerging, independent and experimental artists in its theatre and gallery space as well as on its weekly Public-access television cable TV show and webzine. [ 2 ]
Melchor and Hirshberg [3] initially opened Gray Area Gallery in San Francisco's South of Market (SoMa) in 2006, following a conversation about the lack of proper venues for the exhibition of new media and technology-based art works. [4] By 2008, the gallery had incorporated as a non-profit and was renamed the Gray Area Foundation for The Arts.