Search results
Results from the WOW.Com Content Network
"Black Butterfly" is a song written by the song-writing duo Barry Mann and Cynthia Weil in 1982, and most famously recorded by American recording artist Deniece Williams. Williams' recording was released in 1984 for Columbia Records and is on her 1984 album Let's Hear it for the Boy. The B-side of the single is the song "Blind Dating", also ...
June Deniece Williams (née Chandler; born June 3, 1950) [1] [2] [3] is an American singer. She has been described as "one of the great soul voices" by the BBC. [4]She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis).
Gonna Take a Miracle: The Best of Deniece Williams: 85 — Columbia: 2000 Love Songs — — 2001 The Collection — — Connoisseur/Sony Music 2016 Black Butterfly: The Essential Nicey — — Big Break "—" denotes a recording that did not chart or was not released in that territory.
Let's Hear It for the Boy is the eighth studio album by American recording artist Deniece Williams, released on April 16, 1984, by Columbia Records. [1] The album reached No. 26 on the US Billboard 200 and No. 10 on the US Billboard Top R&B Albums charts.
It should only contain pages that are Deniece Williams songs or lists of Deniece Williams songs, as well as subcategories containing those things (themselves set categories). Topics about Deniece Williams songs in general should be placed in relevant topic categories .
The most successful version of "It's Gonna Take a Miracle" was the 1982 cover by R&B and gospel singer Deniece Williams. Her version went to number 1 on the R&B chart for two weeks [4] and reached number 10 on the Billboard Hot 100. [5]
From the Beginning is a gospel compilation album by American R&B singer Deniece Williams, released in 1990 on Sparrow Records. [2] It is a collection of gospel songs Williams had recorded during her years at Columbia Records.
Connie Johnson of the Los Angeles Times wrote: "The album works due to fresh-sounding, quality material. This is black pop at its most enterprising." [7] Phyl Garland of Stereo Review professed, "I'm So Proud shows why Deniece Williams has every right to be.