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Elves were directly dangerous, too: the medical condition "elf-shot", described in the spell Gif hors ofscoten sie, "if a horse is elf-shot", meaning some kind of internal injury, [12] was associated both with neolithic flint arrowheads and the temptations of the devil. Tolkien takes "elf-shot" as a hint to make his elves skilful in archery. [2]
According to The Book of Lost Tales, the active male Elves of Gondolin, a city in Beleriand in the First Age, belonged to one of the 11 "Houses" or Thlim, plus the bodyguard of Tuor, a Man, which was accounted the twelfth. Each house had a distinct symbol: a mole, a swallow, the heavens, a pillar, a tower of snow, a tree, a golden flower, a ...
The Elves of the Light, Tolkien's Calaquendi, are those who successfully complete the journey, while the Elves of the Darkness, the Moriquendi, are those Elves who, for whatever reason, do not arrive in Valinor. [14] [T 11] [15] Diagram of the Sundering of the Elves, showing Tolkien's overlapping classifications. The main division is into ...
This was later spelled Quenya (High-elven); it and Sindarin (Grey-elven) are the most complete of Tolkien's constructed languages. Elves are also credited with creating the Tengwar (by Fëanor) and Cirth (Daeron) scripts. [4] Tolkien's Elves are immortal, and remain unwearied with age, but can be killed in battle. Spirits of dead Elves go to ...
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
Tolkien modelled his fictional warfare on the Ancient and Early Medieval periods of history. His depiction of weapons and armour particularly reflect Northern European culture as seen in Beowulf and the Norse sagas. Tolkien established this relationship in The Fall of Gondolin, the first story in his legendarium to be written.
Tolkien included multiple family trees in both The Lord of the Rings and The Silmarillion; they are variously for Elves, Dwarves, Hobbits, and Men. The family trees gave Tolkien, a philologist , a way of exploring and developing the etymologies and relationships of the names of his characters.
Some of the magical artefacts were of great power, including the Palantíri or Stones of Seeing, but by far the most powerful was the One Ring, made by the Dark Lord Sauron and embodying much of his former power. Scholars have written that Tolkien felt the need for a magical cosmology to counter modernity's war against mystery and magic.