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Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (Morgan James Publishing, 2008) online. Adler, John. America's Most Influential Journalist and Premier Political Cartoonist: The Life, Times and Legacy of Thomas Nast (Harp Week Press, 2022). Barrett, Ross.
by Thomas Nast, Harper's Weekly newspaper, September 23, 1871. "Boss" Tweed and members of his ring, Peter B. Sweeny, Richard B. Connolly, and A. Oakey Hall, weathering a violent storm on a ledge with the picked-over remains of New York City.
Thomas Nast Gallery, 1870 – January 1871, editorial cartoons about Boss Tweed and Tammany Hall; Proposed Historic District: Tammany Hall, archive of a proposal to list Tammany Hall among the historic districts of the United States; Tammany Hall Links Archived December 11, 2008, at the Wayback Machine at DavidPietrusza.com
In the 1870s, the cartoonist Thomas Nast began an aggressive campaign in the journal against the corrupt New York political leader William "Boss" Tweed. Nast turned down a $500,000 bribe to end his attack. [8] Tweed was arrested in 1873 and convicted of fraud.
The New-York Times, except for Harper's Weekly through Thomas Nast, was the only newspaper in New York that actively went against Tweed; municipal advertising created a virtual hush fund. [27] Jennings publicly questioned Tweed's wealth—having gone from bankruptcy in 1865 to owning a mansion on Madison Avenue and 59th Street —in an ...
He became notorious as a central figure in the ring that controlled Tammany Hall, and was depicted prominently in Thomas Nast's cartoons alongside Boss Tweed, Richard B. Connolly and A. Oakey Hall. With Tweed, he was a director of the Erie Railroad, which became "a gigantic highway of robbery and disgrace". [2]
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Nast was most famous for his 160 editorial cartoons attacking the criminal characteristics of Boss Tweed's political machine in New York City. American art historian Albert Boime argues that: As a political cartoonist, Thomas Nast wielded more influence than any other artist of the 19th century.