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And babies (December 26, 1969 [2]) is an iconic anti-Vietnam War poster. [1] It is a famous example of "propaganda art" from the Vietnam War, [3] that uses a color photograph of the My Lai Massacre taken by U.S. combat photographer Ronald L. Haeberle on March 16, 1968. It shows about a dozen dead and partly naked South Vietnamese women and ...
Soldiers in Revolt: GI Resistance During the Vietnam War, book about soldier & sailor resistance during the Vietnam War; Stop Our Ship (SOS) anti-Vietnam War movement in and around the U.S. Navy; Sir! No Sir!, a 2005 documentary about the anti-war movement in the ranks of the U.S. Armed Forces; Sterling Hall bombing; Soviet influence on the ...
Logo. The Chiêu Hồi program ([ciə̯w˧ hoj˧˩] (also spelled "chu hoi" or "chu-hoi" in English) loosely translated as "Open Arms" [1]) was an initiative by the United States and South Vietnam to encourage defection by the People's Army of Vietnam (PAVN) and Viet Cong (VC) and their supporters to the side of South Vietnam during the Vietnam War.
The protests of 1968 comprised a worldwide escalation of social conflicts, which were predominantly characterized by the rise of left-wing politics, [1] anti-war sentiment, civil rights urgency, youth counterculture within the silent and baby boomer generations, and popular rebellions against military states and bureaucracies.
For the US, the migration was a public relations coup, generating wide coverage of the flight of Vietnamese from the perceived oppression of communism to the "free world" in the south. The period was marked by a Central Intelligence Agency-backed propaganda campaign on behalf of South Vietnam's Roman Catholic Prime Minister Ngo Dinh Diem.
Operation Wandering Soul was a propaganda campaign and psychological warfare effort exercised by U.S. forces during the Vietnam War. It was an attempt to increase desertions and defections from Việt Cộng forces and weaken their morale.
Anti-Vietnamese sentiment (Vietnamese: Chủ nghĩa bài Việt Nam) involves hostility or hatred that is directed towards Vietnamese people, or the state of Vietnam. This may be due to negative perceptions created by historical tensions, ethnic negative perceptions, wars, or xenophobic sentiments that emerged from the event of refugee ...
The news then reflected communism and the Cold War.In asking how the United States got into Vietnam, attention must be paid to the enormous strength of the Cold War consensus in the early 1960s shared by journalists and policymakers alike and due to the great power of the administration to control the agenda and the framing of foreign affairs reporting.