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The textile industry in India, traditionally after agriculture, is the only industry in the country that has generated large-scale employment for both skilled and unskilled labour. The textile industry continues to be the second-largest employment generating sector in India .
A traditional Banarasi sari with gold brocade. Ralph Fitch (1583–1591) describes Banaras as a thriving sector of the cotton textile industry. The earliest mention of the brocade and Zari textiles of Banaras is found in the 19th century. With the migration of silk weavers from Gujarat during the famine of 1603, it is likely that silk brocade ...
Across India, saris are traditionally worn by married women although in areas such as Rajasthan and Gujarat, for example, the chaniya choli (as it is called there) is worn by all ages. In many rural parts of India, traditional clothing is still worn today due to ease of materials, comfort and accessibility.
The British also impacted the textile industry in India because of industrialization and using their own mills instead of artisans in India. This led to the unemployment of many Indians. Later, Gandhi called for Indian people to make and wear their own hand-spun clothing, called khadi cloth, as a sign of resistance against the British. [ 21 ]
Handloom saris are a traditional textile art of Bangladesh and India. The production of handloom saris is important for economic development in rural India. [1] Completion of a single sari takes two to three days of work. Several regions have their own traditional styles of weaving handloom saris. [citation needed]
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, [3] sometimes baring a part of the midriff.
Sambalpuri textiles today include furnishing materials, dress materials and saris in silk, cotton and mercerised cotton in a variety of colours and many different designs. Baandha craftsmen are also masters of the 'extra warp' and 'extra weft' style of designing which can be seen in almost all forms of Baandha textiles.
Silk weavers of the Salvi caste from the state of Maharashtra chose Gujarat as the home for their renowned patola fabric. It is believed that salvis went to Gujarat in the 12th century with the intention of acquiring the patronage of the Chaulukyas Rajputs, who ruled all of Gujarat and parts of Malva and south Rajasthan at the time, with Anahiwad Patan as the capital.