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The copyright law of the United States grants monopoly protection for "original works of authorship". [1] [2] With the stated purpose to promote art and culture, copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly. These ...
The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
But if the intended exploitation of the work includes publication (or distribution of derivative work, such as a film based on a book protected by copyright) outside the US, the terms of copyright around the world must be considered. If the author has been dead more than 70 years, the work is in the public domain in most, but not all, countries.
This requires that, among other things, you attribute the authors and allow others to freely copy your work (see Wikipedia:Text of Creative Commons Attribution-ShareAlike 4.0 International License and Wikipedia:Text of the GNU Free Documentation License for full details). Some text has been imported only under CC-BY-SA and CC-BY-SA-compatible ...
However, how much of a song you can quote is open to interpretation, but you should follow the Non-free content policy. Examples of good articles and featured articles on works still under copyright that should be used as guidelines are: W. B. Yeats (includes block quotes from several poems)
Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]
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