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Major scale pattern on a diatonic hammered dulcimer tuned in 5ths An early version of the hammered dulcimer accompanied by lute, tambourine and bagpipe The Salzburger hackbrett, a chromatic version. A dulcimer usually has two bridges, a bass bridge near the right and a treble bridge on the left side. The bass bridge holds up bass strings, which ...
As the yangqin is a type of hammered dulcimer, ... Scale of yangqin, the numbers indicate the notes in the diatonic scale, 1 = do, 2 = re etc.
Dulcitar (also stick dulcimer or strum-stick): a long-necked fretted instrument, similar to a guitar or mandolin, with diatonic dulcimer fretting. It differs from the guitar dulcimer chiefly in having a much narrower and shallower body, closer to the proportions of the soundbox of the Appalachian dulcimer.
Smith is considered to be one of the world's leading players of the hammered dulcimer. In performance, he plays three custom-built prototype dulcimers sequentially - diatonic, chromatic and a microtonal model featuring 'fluid tuning', i.e. such that individual notes may be tuned at (by) precise microtonal intervals.
The Iraqi santur (also santour, santoor) (Arabic: سنطور) is a hammered dulcimer of Mesopotamian origin. [2] It is a trapezoid box zither with a walnut body and 92 steel (or bronze) strings. The strings, tuned to the same pitch in groups of four, are struck with two wooden mallets called " midhrab ".
In the Appalachian region of the U.S. in the nineteenth century, hammered dulcimers were rare. There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer
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Appalachian dulcimer The épinette des Vosges ( French pronunciation: [epinɛt dɛ voʒ] ) is a traditional plucked-string instrument of the zither family, whose use was confined to two areas in the Vosges mountains of France approximately 50 km apart: around Val-d'Ajol and around Gérardmer .
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