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While he was a moderately prolific composer, and his motets are polished and display a mastery of canonic counterpoint, his principal claim to fame was his work as a theorist. While Pietro Aaron may have been the first theorist to describe a version of meantone , Zarlino seems to have been the first to do so with exactitude, describing 2/7 ...
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
After printing, early versions of the Canzoniere were illuminated with pictures. Il Canzoniere (Italian pronunciation: [il kantsoˈnjɛːre]; English: Song Book), also known as the Rime Sparse (English: Scattered Rhymes), but originally titled Rerum vulgarium fragmenta (English: Fragments of common things, that is Fragments composed in vernacular), is a collection of poems by the Italian ...
His works may be considered as an early instance of the Petrarchism movement within the Renaissance literature. [9] In the book Prose della volgar lingua ( The Prose of the Vernacular Tongue , 1525) Petrarch is the model of verse composition , and Bembo gives detailed explanations of the communicational functions of rhyme and stress in the ...
The "with wynne" is the "bob", and it is immediately followed by the four-line "wheel" with its own rhymes and rhythm. The content of the bob and wheel varies, but, generally, it functions as a refrain, or a summary, or an ironic counterpoint to the stanza that preceded it.
A Petrarchan Sonnet. The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, [1] although it was not developed by Petrarch himself, but rather by a string of Renaissance poets. [2]
These "new" poems appeared in such magazines as Poetry, Others, and later, The Liberator, and they marked a progression from "commonplace traditionalism to the most revolutionary naturalism, from the rhymed, carefully scanned line to free verse, from conventionalized Negro dialect to the brawny language of [Carl] Sandberg’s Chicago Poems."
Browning's main audience for all his poetry was his beloved wife Elizabeth Barrett Browning. Browning based del Sarto's love for his wife, Lucrezia, on his own love for his wife. [ 11 ] Andrea del Sarto explores broad themes such as if all human interactions are governed by aesthetic or exchange value, failure, whether one's wife is a ...