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Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes ...
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
Above; directive to cross hands in a composition for piano, e.g. m.s. sopra: left hand over; opposite: sotto (below) sopra una corda or sull'istessa corda To be played on one string soprano The highest of the standard four voice ranges (bass, tenor, alto, soprano) sordina, sordine (plural) A mute.
Microsoft Word - 2 Hymn fortepian: Author: NTT: Software used: Acrobat PDFMaker 6.0 dla programu Word: Conversion program: Acrobat Distiller 6.0 (Windows) Encrypted: no: Page size: 595 x 842 pts (A4) Version of PDF format: 1.4
When playing the piano or harp, the upper staff is normally played with the right hand and the lower staff with the left hand. In music intended for organ with pedalboard, a grand staff normally comprises three staves, one for each hand on the manuals and one for the feet on the pedalboard. A simple grand staff.
Accidental symbols are placed to the right of a note's letter when written in text (e.g. F ♯ is F-sharp, B ♭ is B-flat, and C ♮ is C natural), but are placed to the left of a note's head when drawn on a staff. Systematic alterations to any of the 7 lettered pitch classes are communicated using a key signature. When drawn on a staff ...
Pages in category "Compositions for piano left-hand and orchestra" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes .
For instance, in most piano music the left hand specifies the bottom note and intervals go bottom-up while the right hand specifies the top note and intervals go top-down. Many older scores have all staves reading bottom-up or all reading top-down. Most scores have a note indicating the direction of the interval notation.
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