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Christ Before the High Priest is an oil on canvas painting by Dutch artist Gerard van Honthorst, created around 1617. It now hangs in London's National Gallery. [1] It depicts Jesus Christ being questioned by the High Priest Caiaphas shortly before being sentenced to death.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Christ Leaving the Praetorium is an oil-on-canvas painting by French artist Gustave Doré, created between 1867 and 1872. It was the largest of his religious paintings, with the dimensions of 609 by 914 cm, and is considered to be the "the work of his life". The painting was a great success, and it was reproduced in engraving in 1877. [1]
The Appearance of Christ Before the People (Russian: Явление Христа народу Yavleniye Khrista narodu) or The Apparition of the Messiah is an oil painting on canvas, measuring 540 cm × 750 cm, by the Russian painter Alexander Andreyevich Ivanov (1806–1858). [2]
The painting is housed in the State Russian Museum in St. Petersburg (inventory number Zh-5263). It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops ...
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, executed in 1601, and now in London. It depicts the Gospel story of the resurrected Jesus's appearance in Emmaus. Originally this painting was commissioned and paid for by Ciriaco Mattei, brother of cardinal Girolamo Mattei.
[1] [a] Two of the more puzzling details of the painting are, one, the fact that the heads of Jesus and St. John seem to visually meld together in the upper left corner, and, two, the fact of the prominent presence, in the very centre of the canvas and in the foremost plane of the picture, of the arresting officer's highly polished, metal-clad arm.
Liebermann's painting was shown at the International Art Exhibition in the Glaspalast, in Munich Glaspalast in 1879. It was immediately noticed. Some German artists such as Wilhelm Leibl, Heinrich von Zügel and Lorenz Gedon praised the depiction of the Biblical event. But even at the opening of the exhibition, Prince Regent Luitpold von Bayern ...
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