Search results
Results from the WOW.Com Content Network
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Metanarrative has a specific definition in narratology and communications theory. According to John Stephens and Robyn McCallum, a metanarrative "is a global or totalizing cultural narrative schema which orders and explains knowledge and experience " [ 19 ] – a story about a story, encompassing and explaining other "little stories" within ...
A historical drama (also period drama, period piece or just period) is a dramatic work set in a past time period, usually used in the context of film and television, which presents historical events and characters with varying degrees of fictional elements such as creative dialogue or fictional scenes which aim to compress separate events or illustrate a broader factual narrative.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
The Greek word for “actor” is hypocrites, which means “answerer” or “interpreter,” but the word cannot tell us anything about tragedy’s origins, since we do not know when it came into use. [6] Also, Easterling says: There is .. much to be said for the view that hypokrites means 'answerer'. He answers the questions of the chorus ...
In Poetics, Aristotle discusses many key concepts of Greek drama, including the moment of tragic recognition (anagnorisis) and the purgation of audience feelings of pity and fear . Perhaps the most significant successor to Aristotelian dramaturgy is the Epic theatre developed by the twentieth century German playwright Bertolt Brecht .
A background actor or extra is a performer in a film, television show, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene).
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.