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Restored Mogao Christian painting, possibly a representation of Jesus Christ.The original work dates back to the 9th century. The Jingjiao Documents (Chinese: 景教經典; pinyin: Jǐngjiào jīngdiǎn; also known as the Nestorian Documents or the Jesus Sutras) are a collection of Chinese language texts connected with the 7th-century mission of Alopen, a Church of the East bishop from ...
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2] There are also special ...
2010: the Chinese Spiritual Life Survey directed by the Purdue University's Center on Religion and Chinese Society concluded that many types of Chinese folk religions and Taoism are practised by possibly hundreds of millions of people; 56.2% of the total population or 754 million people practised Chinese ancestral religion [note 5], but only 16 ...
The term is commonly used in Chinese culture to denote the three attributes of a good life. Statues of these three gods are found on the facades of folk religion's temples, ancestral shrines , in homes and many Chinese-owned shops, often on small altars with a glass of water, an orange or other auspicious offerings, especially during Chinese ...
For Chinese Muslims, the principal term for God is also Zhēnzhǔ (真主) but transliterations of the Arabic Allāh also exist as Ālā (阿拉), and as Ānlā (安拉; Ān, "Peace" + Lā, "Help"). [10] The term Húdà (胡大), from the Persian term for God, khudai, is seen more often in north-western China.
Xinxin Ming (alternate spellings Xin Xin Ming or Xinxinming) (Chinese: 信心銘; Pīnyīn: Xìnxīn Míng; Wade–Giles: Hsin Hsin Ming; Rōmaji: Shinjinmei), meaning literally: "Faith-Mind Inscription", is a poem attributed to the Third Chinese Chán Patriarch Jianzhi Sengcan (Chinese: 鑑智僧璨; Pīnyīn: Jiànzhì Sēngcàn; Wade–Giles: Chien-chih Seng-ts'an; Romaji: Kanchi Sōsan ...
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Augustine's writings document the Manichean devotion to Jesus. Manichean hymns to Jesus are preserved in a variety of languages, especially Coptic from 4th century Egypt and, to a lesser extent, Parthian, Sogdian, Middle Persian, and Uighur, from Karakhoja in the 8th to 11th centuries, and even Middle Chinese, 8th century North China.