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The most notable is "Take this job and love it", which has been the title of dozens of books, mostly about career counseling, as well as the title of a 2007 episode of the television series Hannah Montana. Another notable variation was the 2006 book Take This Job and Ship It by U.S. Senator Byron Dorgan. Another variation is the quote "take ...
Take This Job and Shove It is the seventeenth album released by country music artist Johnny Paycheck. It was his second album released in 1977 (see 1977 in country music) and is his most commercially successful album, being certified platinum by the RIAA. It contains his most well known song, the David Allan Coe-written title song. It was his ...
Contains new tracks as well as re-recordings of "Georgia in a Jug," "She's All I Got," "Song & Dance Man," "Take This Job and Shove It," "Slide Off of Your Satin Sheets," and "Somebody Loves Me." Reissued as The Happy Hour on digital music services. [20] Modern Times: Release date: March 1987 [2] Label: Mercury Records (#830404) Format: LP; 54
Take This Job and Shove It was the first film to feature monster trucks. Bob Chandler's Bigfoot #1 is seen throughout the movie as Ray's pick-up truck. Everett Jasmer's USA-1, credited as "Thunderin' Lightning", is the blue truck at the starting line that (in the script) breaks down when the race starts. Jasmer's daily delivery truck was used ...
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Johnny Paycheck (born Donald Eugene Lytle; May 31, 1938 – February 19, 2003) [1] was an American country music singer and Grand Ole Opry member notable for recording the David Allan Coe song "Take This Job and Shove It".
Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine.
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.