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Isolation did not decrease the production of guns in Japan—on the contrary, there is evidence of around 200 gunsmiths in Japan by the end of the Edo period. But the social life of firearms had changed: as the historian David L. Howell has argued, for many in Japanese society, the gun had become less a weapon than a farm implement for scaring ...
Cruel Gun Story (拳銃残酷物語, Kenjū zankoku monogatari) is a 1964 Japanese heist film directed by Takumi Furukawa. [1] [2] [3]This film was made available in North America when Janus Films released a special set of Nikkatsu studio's Noir films as part of The Criterion Collection, also including I Am Waiting, Rusty Knife, Take Aim at the Police Van, and A Colt Is My Passport.
Additionally, gun-related crimes are extremely low; in the past 30 years, the year with the highest amount of gun-related deaths was 39 in 2001, and as low as 4 in 2009. [2] Japan as a whole is largely uninterested in firearms: Graduating police officers most often choose judo and kendo over firearms training. The country's culture doesn't have ...
Within hours of a 41-year-old suspect's arrest in the fatal shooting of former Japanese Prime Minister Shinzo Abe with an improvised gun, police raided Tetsuya Yamagami's home Friday and found a ...
Japanese ashigaru firing hinawajū.Night-shooting practice, using ropes to maintain proper firing elevation. Tanegashima (), most often called in Japanese and sometimes in English hinawajū (火縄銃, "matchlock gun"), was a type of matchlock-configured [1] arquebus [2] firearm introduced to Japan through the Portuguese Empire in 1543. [3]
William Adams (Japanese: ウィリアム・アダムス, Hepburn: Wiriamu Adamusu, 24 September 1564 – 16 May 1620), better known in Japan as Miura Anjin (三浦按針, 'the pilot of Miura'), was an English navigator who, in 1600, became the first Englishman to reach Japan.
Samurai Commando: Mission 1549, known in Japan as Sengoku Self-Defense Forces 1549 (戦国自衛隊1549, Sengoku Jieitai 1549), is a 2005 Japanese feature-length film and manga series focusing on the adventures of a modern-day Japan Ground Self-Defense Force element that accidentally travels through time to the Warring States period of Japanese history.
The documentaries Hani had made during the 1950s (Children in the Classroom and Children Who Draw) had introduced a style of cinéma vérité documentary to Japan, and were of great interest to other filmmakers. [15] Kon Ichikawa, Yasuzō Masumura and Seijun Suzuki have also been encompassed with the term.