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La forma/manera en que/en la que/como reaccionasteis = "The way that/in which/how you reacted" (en que is the most common and natural, like "that" or the null pronoun in English; but como is possible, as "how" is in English) Note that mismo tends to require que: Lo dijo del mismo modo que lo dije yo = "She said it the same way [that] I did"
Yo te me daré = "I will give myself to you" Vosotros os nos presentasteis = "You [pl.] introduced yourselves to us" Se le perdieron los libros = "The books disappeared on him" (lit. "The books got lost to him") The full and pronominal form of a reduplicated direct object must agree in gender and number:
This is done in the following way: if the verb is an -er or -ir verb such as comer, poder, vivir, or compartir, replace the ending o with an a i.e. : Yo como; yo puedo; yo vivo → Yo coma; yo pueda; yo viva. If the verb is an -ar verb such as hablar or caminar replace the ending o with an e: i.e., Yo hablo; yo camino → Yo hable, yo camine.
Similarly, the participle agrees with the subject when it is used with ser to form the "true" passive voice (e.g. La carta fue escrita ayer 'The letter was written [got written] yesterday.'), and also when it is used with estar to form a "passive of result", or stative passive (as in La carta ya está escrita 'The letter is already written.').
The dictionary form always has the vowel, not the diphthong, because, in the infinitive form, the stress is on the ending, not the stem. Exceptionally, the -u- of j u gar (u-ue -gar, -jugar) and the -i- of adqu i rir and inqu i rir (i-ie) also are subject to diphthongization ( juega , etc.; adquiere , etc.).
Its melody is first found in act 3 of Handel's 1705 opera Almira as a sarabande; [1] the score for this can be seen on page 81 of Vol. 55 [2] of Friedrich Chrysander.Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio Il trionfo del Tempo e del Disinganno (which was much later, in ...
Querría ver la película esta semana = "I would like to see the film this week" In a then clause whose realization depends on a hypothetical if clause: Si yo fuera rico, viajaría a Sudamérica = "If I were rich, I would travel to South America" Speculation about past events (the speaker's knowledge is indirect, unconfirmed, or approximating):
Among the poems in the collection are Yo soy un hombre sincero (I), Si ves un monte de espumas (V) and Cultivo una rosa blanca (XXXIX). Verses pruned from various poems were adapted into the folk song " Guantanamera ", which is the most popular patriotic song of Cuba and was popularized in the US in the 1960s during the American folk music ...