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Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...
Sweep picking is a guitar-playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired ...
Sweep picking involves a continuous "sweep" with the pick across two or more strings (using down-strokes when moving down, and up-strokes when moving up), and is commonly associated with playing arpeggios. To produce a series of distinct notes requires that each note be fretted individually with the fretting hand, rather than held together as a ...
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Arpeggios are revealed in two octaves. The starting note of an ascending arpeggio is either a note on the 6th string or a note on the 5th string, each voicing spanning five strings. The arpeggiated voicing is equivalent to the closed voicing on the piano. There is a close relationship between Wayne's chord system and his arpeggio forms.
Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."
Arpeggio: harp-like: A chord with the notes spread out in time (rather than sounded simultaneously) Basso continuo: continuous bass: Continuous bass accompaniment by chordal instrument(s) and bass instrument(s) (see Figured bass.) A bocca chiusa: in closed mouth: Wordless humming in a choral piece Chiuso: closed: Calls for a horn to be muted by ...
A common modern metal style is the use of alternate picking for scales and sweep picking for arpeggios, pioneered by Shrapnel Records artists Yngwie Malmsteen, Vinnie Moore, Paul Gilbert, Bruce Bouillet, Jason Becker, Marty Friedman and Richie Kotzen. Paul Gilbert moved away from sweeping arpeggios in favour of string skipping arpeggios.