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In 1890, Cassatt had visited the great Japanese Print exhibition at the École de Beaux-arts in Paris. [ 8 ] [ 13 ] Mary Cassatt owned Japanese prints by Kitagawa Utamaro (1753–1806). [ 14 ] [ 15 ] The exhibition at Durand-Ruel of Japanese art proved the most important influence on Cassatt. [ 16 ]
Mary Stevenson Cassatt (/ k ə ˈ s æ t /; May 22, 1844 – June 14, 1926) [1] was an American painter and printmaker. [2] She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists.
In the Loge was one of Cassatt's first pieces to be presented in the United States, when it was exhibited in Boston in 1878. [5] The work remained in the possession of the artist's family until 1893 or 1894, when Cassatt sold it to Martin, Camentron, and Company in Paris. [5] The painting entered the Museum of Fine Arts, Boston in 1910. [5]
The last time there was a show in America dedicated to Mary Cassatt, the year was 1999. Given her stature as a grande dame of Impressionism and one of the very few women to have reached a level of ...
A Woman and a Girl Driving is an oil-on-canvas painting by American Impressionist Mary Cassatt, painted in 1881. It emphasizes the theme of female autonomy in a male dominated society. [ 1 ] Lydia Cassatt, the artist's sister, is shown holding the reins of the family's carriage alongside Odile Fèvre, the niece of Edgar Degas , and a servant to ...
Woman with a Pearl Necklace in a Loge (or Lydia in a Loge) is an 1879 painting by American artist Mary Cassatt. The Philadelphia Museum of Art acquired the painting in 1978 from the bequest of Charlotte Dorrance Wright. [1] The style in which it was painted and the depiction of shifting light and color was influenced by Impressionism. [1]
Dimensions. 100.3 cm × 66.1 cm (39.5 in × 26 in) Location. Art Institute of Chicago, Chicago. The Child's Bath (or The Bath) is an 1893 oil painting by American artist Mary Cassatt. The painting continues her interest in depicting bathing and motherhood, but it is distinct in its angle of vision. Both the subject matter and the overhead ...
Mary Cassatt played a large role in the adoption of Impressionism by American patrons. Mary Cassatt formed a close relationship with Edgar Degas, who, impressed by her work, invited her to show with the French Impressionists in 1877. [6] She was the only American to ever exhibit her work alongside the original Impressionists in France. [3]