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Like most other Hekhalot texts, the Ma'aseh Merkabah revolves around the knowledge of secret names of God used theurgically for mystical ascent. It begins with a conversation between Rabbi Ishmael and Rabbi Akiva, [3] where the latter expounds on the mysteries of the spiritual world, as well as describing the appearance of the heavenly planes.
The noun merkavah "thing to ride in, cart" is derived from the consonantal root רכב r-k-b with the general meaning "to ride". The word "chariot" is found 44 times in the Masoretic Text of the Hebrew Bible—most of them referring to normal chariots on earth, [5] and although the concept of the Merkabah is associated with Ezekiel's vision (), the word is not explicitly written in Ezekiel 1.
Then a fire came down from heaven and surrounded all the trees of the field, whereupon all of them together began to recite the hymn of praise. R. Yose HaKohen and his companion [10] had similar experiences. The belief in the appearance of God is indicated also in the popular idea that all who inquire into the mysteries of the Ma'aseh Merkavah ...
They are described in the prophet Ezekiel's vision of the heavenly chariot in the first and tenth chapters of the Book of Ezekiel. References to the sacred creatures recur in texts of Second Temple Judaism, in rabbinical merkabah ("chariot") literature, in the Book of Revelation in the Christian New Testament, and in the Zohar.
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The Hekhalot literature (sometimes transliterated Heichalot) from the Hebrew word for "Palaces", relating to visions of ascents into heavenly palaces.The genre overlaps with Merkabah or "Chariot" literature, concerning Ezekiel's chariot, so the two are sometimes referred to together as "Books of the Palaces and the Chariot" (ספרות ההיכלות והמרכבה ).
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The exception is "The Chariot," which was Dickinson's original published title. Each song is dedicated to a composer friend. The sequence, with dedicatees, is: Nature, the Gentlest Mother (David Diamond) There Came a Wind Like a Bugle (Elliott Carter) Why Do They Shut Me Out of Heaven? (Ingolf Dahl) The World Feels Dusty (Alexei Haieff)