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The Deutsches Museum (German Museum, officially Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik (English: German Museum of Masterpieces of Science and Technology)) in Munich, Germany, is the world's largest museum of science and technology, with about 125,000 exhibited objects from 50 fields of science and technology. [1]
The Museum is thus divided into Art (Kunst), Architecture (Architektur), Design (Design) and Works on Paper (Graphik). The first floor, containing the art collection, has ample natural light from above, augmented by computer-controlled lamps, designed to keep a consistent, nearly shadowless illumination against the gray floors and white walls.
The Pinakothek der Moderne unifies the Bavarian State Collection of Modern and Contemporary Arts, the National Collection of Works on Paper and the Museum for Design and Applied Arts with the Munich Technical University's Museum of Architecture in one building and is deemed one of the most important and popular museums of modern art in Europe ...
Matthias Weniger, curator of the Bavarian National Museum, lifts one of the 111 silver objects stolen by the Nazis from the Jews during the Third Reich, in Munich, Germany, Saturday, June 10, 2023.
This page was last edited on 17 February 2024, at 22:58 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In 2002, the National Collection of Modern and Contemporary Arts moved into the Pinakothek der Moderne.Today, while housing no permanent art exhibition of its own, the Haus der Kunst is still used as a showcase venue for temporary exhibitions and traveling exhibitions, [3] including on Tutankhamun, Zeit der Staufer, Gilbert and George (2007), Andreas Gursky (2007), Anish Kapoor (2007), Ai ...
The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the convenient accommodation of skylights for the cabinets. [4] Even the Neo-Renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type common in the early 19th century. It is closely associated with ...
When the museum was founded, the separation to the old masters in the Alte Pinakothek was fixed with the period shortly before the turn of the 19th century, which has become a prototype for many galleries. Owing to the personal preference of Ludwig I, the museum initially had a strong focus on paintings of German Romanticism and the Munich School.
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