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Hell is an oil-on-panel painting executed after 1490 by the Dutch artist Hieronymus Bosch. It is currently in the Gallerie dell'Accademia in Venice, Italy. [1] This painting is part of a series of four. The others are Ascent of the Blessed, Terrestrial Paradise and Fall of the Damned into Hell.
However, Bosch is innovative in that he describes hell not as a fantastical place but as a realistic world containing many elements from day-to-day human life. [43] Gibson compares this "Prince of Hell" to a figure in the 12th-century Irish religious text Vision of Tundale, who feeds on the souls of corrupt and lecherous clergy. [47]
Hieronymus Bosch (/ h aɪ ˈ r ɒ n ɪ m ə s b ... Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known ...
Paintings by Hieronymus Bosch, as well as paintings attributed to him or his school, have been compiled by various organizations. An investigation undertaken by The Bosch Research and Conservation Project of a multitude of Bosch's paintings included dendrochronological research and made an approximate dating of the paintings possible. [ 1 ]
The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch [1] [2] or to a follower of his, [3] completed around 1500 or later. Since 1898 its authenticity has been questioned several times.
The depictions of hell, heaven, and earth in Bosch's artwork showcase the varying stages of existence as the panels move from scenes of heaven to Earth, and finally, shift onwards into Bosch's visions of hell. The left panel in The Hermit Saints depicts a hierarchal depiction of hell and each of the hermit saints devotion to Christ. [1] [2]
Fall of the Damned into Hell is a painting by the Early Netherlandish artist Hieronymus Bosch made sometime before 1490. It is currently in the Gallerie dell'Accademia in Venice, Italy. [1] This painting is part of a four-panel polyptych; the others are Ascent of the Blessed, Terrestrial Paradise and Hell.
Fourcaud, L. de (January 1912–February 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’ , La Revue de l'Art Ancien et Moderne , vol. XXXI, p. 172, with image in black and white, as les Délices terrestres .
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