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The Son of Kong (also known and publicized simply as Son of Kong) is a 1933 American Pre-Code adventure monster film produced by RKO Pictures. Directed by Ernest Schoedsack and featuring special effects by Willis O'Brien and Buzz Gibson, the film stars Robert Armstrong , Helen Mack and Frank Reicher .
The Internet Archive acquires most materials from donations, [34] such as hundreds of thousands of 78 rpm discs from Boston Public Library in 2017, [35] a donation of 250,000 books from Trent University in 2018, [36] and the entire collection of Marygrove College's library after it closed in 2020. [37]
Willis Harold O'Brien (March 2, 1886 – November 8, 1962), known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe ...
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Carl Denham is a fictional character in the films King Kong and The Son of Kong (both released in 1933), as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. [1] The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake.
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The film was shot on the same jungle sets later used for King Kong, with many of the same production staff, including producer Merian C. Cooper, who directed King Kong with Schoedsack. After RKO reduced the budget and time spent shooting for The Most Dangerous Game , Cooper and Schoedsack cut down on the cast and special effects they initially ...
The models and animation are more sophisticated than in King Kong and use more subtle gestures. Despite the increased technical sophistication, the film, like King Kong, features scale issues, with Joe noticeably changing size between many shots. Harryhausen attributed these lapses to Cooper, who insisted Joe appear larger in some scenes for ...