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Mama is a 2013 supernatural horror film directed and co-written by Andy Muschietti in his directorial debut and based on his 2008 Argentine short film Mamá. The film stars Jessica Chastain , Nikolaj Coster-Waldau , Megan Charpentier , Isabelle Nélisse , Daniel Kash , and Javier Botet as the title character.
On the review aggregator website Rotten Tomatoes, 85% of 148 critics' reviews are positive, with an average rating of 7.70/10.The website's consensus reads: "Dark, violent, and drenched in dread, Goodnight Mommy is perfect for extreme horror enthusiasts—or filmgoers who prefer to watch between splayed fingers."
Goodnight Mommy is a 2022 American psychological horror film directed by Matt Sobel and written by Kyle Warren. It is a remake of the 2014 Austrian film with the same name, and stars Naomi Watts, Cameron and Nicholas Crovetti, Crystal Lucas-Perry, Jeremy Bobb, and Peter Hermann. It follows twin brothers who suspect their mother was switched ...
Andrés Walter Muschietti (Spanish:; [1] born 26 August 1973) is an Argentine film director and screenwriter who had his breakthrough with the 2013 film Mama. He gained further recognition for directing both films in the It film series , the 2017 film adaptation of the Stephen King novel and its 2019 sequel, It Chapter Two .
$61.2 million [1] Ma is a 2019 American psychological horror film directed by Tate Taylor and written by Scotty Landes. It stars Octavia Spencer , Juliette Lewis , Diana Silvers , Corey Fogelmanis, Gianni Paolo , McKaley Miller and Luke Evans and follows a group of teenagers who befriend a lonely middle-aged woman.
Javier Botet López (born 30 July 1977) is a Spanish actor. Often cast in creature roles, he portrayed Tristana Medeiros in the REC franchise (2007–2009), the title character in Mama (2013), Set in The Mummy (2017), Slender Man in the 2018 film of the same name, and Dracula in The Last Voyage of the Demeter (2023).
Some troops leave the battlefield injured. Others return from war with mental wounds. Yet many of the 2 million Iraq and Afghanistan veterans suffer from a condition the Defense Department refuses to acknowledge: Moral injury.
It went on to debut to $91 million, also the second-best ever for a horror film and a September release, while being over $30 million less than the first film. The lower debut was attributed to a more mixed critical reception, as well as the nearly three-hour runtime, which some exhibitors said possibly curbed business. [2]
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