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The Carnival of Venice (Italian: Carnevale di Venezia; Venetian: Carneval de Venèsia) is an annual festival held in Venice, Italy, famous throughout the world for its elaborate costumes and masks. The Carnival ends on Shrove Tuesday ( Martedì Grasso or Mardi Gras ), which is the day before the start of Lent on Ash Wednesday .
Cultural organization in Venice (7 P) F. Festivals in Venice (1 C, 6 P) Venice in fiction (10 C, 8 P) J. Jews and Judaism in Venice (2 C, 9 P) M. Mass media in Venice ...
Venetian cuisine, from the city of Venice, Italy, [1] or more widely from the region of Veneto, has a centuries-long history and differs significantly from other cuisines of northern Italy (notably Friuli-Venezia Giulia and Trentino-Alto Adige/Südtirol), and of neighbouring Austria and of Slavic countries (notably Slovenia and Croatia ...
The actual training will involve honing rowing skills and lessons on the history and culture of Venice. The diverging forces of rising tourist demand and fewer gondoliers to engage them create the ...
The Venetian Carnival tradition is most famous for its distinctive masks. The Carnival in Venice was first documented in 1296, with a proclamation by the Venetian Senate announcing a public festival the day before the start of Lent. Unquestionably one of the most well-known Carnival festivities in the world, the Carnival of Venice is rife with ...
William Shakespeare's works show an important level of Italophilia, a deep knowledge of Italy and the Italian culture, like in Romeo and Juliet and The Merchant of Venice. According to Robin Kirkpatrick, Professor of Italian and English Literatures at Cambridge University, Shakespeare shared "with his contemporaries and immediate forebears a ...
Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
It should also be noted that tradition defined twelve "apostolic" families (Contarini, Tiepolo, Morosini, Michiel, Badoer, Sanudo, Gradenigo-Dolfin, Memmo, Falier, Dandolo, Polani and Barozzi) and four other "evangelical" ones (Giustinian, Corner, Bragadin and Bembo); the history of Venice evidently wanted to be compared to that of the Church ...
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