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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
This category may include the literary movements in both in India and Pakistan and some other Urdu speaking countries. Pages in category "Urdu-language literary movements" The following 4 pages are in this category, out of 4 total.
Pages in category "Urdu-language literature" The following 42 pages are in this category, out of 42 total. ... Progressive Writers' Movement; Q. Qit'a; R. Munawwar Rana;
However, his research into Urdu literature is sometimes considered "unorthodox". He wrote a book titled Urdu Zaban Ka Makhaz Hindko (Urdu language's source Hindko), which was later published in 2003 by the National Language Authority, claimed both Urdu and Hindi languages are etymologically associated with Hindko as their source or origin.
The phrase Zaban-e Urdu-e Mualla written in Urdū Lashkari Zaban ("Battalionese language") title in Nastaliq script.. The Urdu movement was a socio-political movement aimed at making Urdu (the standardized register of the Hindustani language), as the universal lingua-franca and symbol of the cultural and political identity of the Muslim communities of the Indian subcontinent during the British ...
This is a list of notable Urdu-language writers This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
M. D. Taseer was born in Ajnala, Amritsar district, Punjab, [3] on 28 February 1902 [1] to a family of Kashmiri ancestry. [4] [5] His father, a peasant named Mian Atta ud Din, died when he was a small child, and he was brought up by his maternal uncle Mian Nizam ud Din in Lahore. [3]
One notable leader in the modernist Islamic reform movement was Altaf Hussain Hali, who believed the ghazal to be outdated and limited in its particular rules of craft. [24] Syed Ahmad Khan argued that Urdu literature should be remodeled after the English forms and conventions. While the classical ghazal embraced ambiguity, emotional hyperbole ...