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Robert Francis (August 12, 1901 – July 13, 1987) was an American poet who lived most of his life in Amherst, Massachusetts. His 1953 poem, “The Pitcher”, is a classic work among coaches, athletes, baseball players—and pitchers and artists.
Robert Francis (poet) (1901–1987), American poet; Robert Francis (actor) (1930–1955), American actor; Robert Francis (writer) (1909–1946), French writer, winner of the 1934 Prix Femina; Bobby Francis (born 1958), former ice hockey head coach; Bob Francis (radio presenter) (1939–2016), Australian radio presenter and talk back host
Disneyland Records released an LP record of the poems set to music. This was the first title for the newly created Disney record label. Gwyn Conger wrote the music, which was performed by Francis Archer and Beverly Gile. [4] The Italian composer Carlo Deri composed, in 2005, a song for voice and piano, The Unseen Playmate, on
Anatole France (1844–1924), French poet, journalist and novelist; Robert Francis (1901–1987), US poet; Veronica Franco (1546–1591), Italian poet and courtesan; G S Fraser (1915–1980), Scots poet, critic and academic; Gregory Fraser (born 1963), US poet, editor and professor; Naim Frashëri (1846–1900), Albanian poet and writer
Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
Francis' first published work was a collection of W.S Graham poems in 2004. He also authored a study on the life of W.S Graham in the same year. [4] "Mere" is dedicated to the poet John Barnie, the title comes from an Old English word for pond. "Monomoon" is a poem written only using words that contain the letter O.
The 1793 two volume Edinburgh Edition was published, much enlarged and for the first time containing the poem Tam o' Shanter. [11] The poem had already appeared in The Edinburgh Herald, 18 March 1791; the Edinburgh Magazine, March 1791 and in the second volume of Francis Grose's Antiquities of Scotland of 1791 for which it was originally written. [8]
The Oxford poetry anthologies ('Oxford Books') are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics.