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Live at Carnegie Hall is a 1976 live double album by the English progressive rock band Renaissance. It presented songs from all of the band's Annie Haslam -era studio albums thus far, including the forthcoming (at the time of the concerts [ 3 ] ) Scheherazade and Other Stories .
The album marked the beginning of Renaissance's long-standing collaboration with poet Betty Thatcher-Newsinger as lyricist when she co-wrote two songs with Relf and McCarty. The two remaining original members left in late 1970; Jane Relf was replaced by American folk singer Anne-Marie "Binky" Cullom, then John Hawken left to join Spooky Tooth ...
For Turn of the Cards, Renaissance again made use of De Lane Lea Studios and co-producer/engineer Dick Plant. Richard Gottehrer, co-founder of Renaissance's new American record label Sire Records, is also credited as co-producer of the album, but according to drummer Terry Sullivan, Gottehrer never set foot inside De Lane Lea Studios and his sole involvement with the album was collaborating on ...
In the Land of the Rising Sun: Live in Japan 2001 is a live album by the English progressive rock band Renaissance. It was released in 2002 by Giant Electric Pea . The album was recorded in Tokyo , Japan in 2001.
Tuscany is the 12th album by the English progressive rock band Renaissance, released in 2001. [1] After a lengthy hiatus, original members Annie Haslam, Michael Dunford, Terence Sullivan and John Tout came together to record a new album, assisted by Roy Wood; Tout was unavailable for the later sessions and was replaced by Mickey Simmonds.
There's whole-wheat pasta and gluten-free varieties, for instance. You can choose pasta made from chickpeas, lentils and beans, which generally offer more protein and fiber than traditional pasta ...
In this September 7, 1993, photo, President Bill Clinton and Vice President Al Gore present a report on increasing government efficiency as part of Clinton's charge of "reinventing government."
The suite "Song of Scheherazade", which occupies most of the album's running time, was originally conceived by Renaissance guitarist Michael Dunford as the score for a theatrical musical. He and bassist Jon Camp would work on the musical during lulls in their Renaissance songwriting sessions at Dunford's house in Windlesham. [3]
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