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The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the ...
The Man with No Name (Italian: Uomo senza nome) is the antihero character portrayed by Clint Eastwood in Sergio Leone's "Dollars Trilogy" of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966).
The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, literally "The good, the ugly, the bad") is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". [9]
At 94, Clint Eastwood is still working with the energy of a man half his age. ... where he would topline a trilogy of iconic Italian spaghetti westerns that would make him an international superstar.
A Fistful of Dollars (Italian: Per un pugno di dollari) is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. [8]
The best western and cowboy movies of all time, from Clint Eastwood, Sergio Leone, John Wayne, and John Ford, to Quintin Tarantino and the Coen brothers.
In the final installment of the Dollars trilogy, which takes place during the Civil War, the Man With No Name, here called "Blondie" (Clint Eastwood), becomes involved with bandit Tuco (Eli Wallach) and hired killer Angel Eyes (Lee Van Cleef) in a search for a stolen US Army gold shipment. The film features a brilliant climax with "the Trio".
Clint Eastwood knows when a story's been told. Over the course of his filmmaking career, the Hollywood icon has cultivated a famously no-frills style behind the camera, often shooting scenes in ...
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