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Kanae wanted to revive the spirit of Edo-period ukiyo-e in his prints, and to this end in 1911 he founded the Tokyo Print Club to produce and distribute such prints. He advertised for members in Hōsun, but after the magazine's demise most of the associated artists left Tokyo and the only member he could recruit was Hanjirō Sakamoto.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Sukiya Bridge, woodblock print by Un'ichi Hiratsuka by 1945. Un'ichi Hiratsuka (平塚 運一, Hiratsuka Un'ichi, November 17, 1895 – November 18, 1997), born in Matsue, Shimane, was a Japanese woodblock printmaker. He was one of the prominent leaders of the sōsaku hanga ("creative print") movement in 20th century Japan.
The artists called themselves the Takujōsha ("Table Group") [2] and the prints were published by the group via Nakajima Jutaro of the Nihon Sosaku Hanga Club. [3] Each artist contributed 12 or 13 prints. The series was issued on a subscription basis in an edition of only 50 sets. [1] In the February 1932 Bulletin of the Hanga Club, Senpan ...
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. [ 1 ]
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