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The testudo was a common formation in the Middle Ages, being used by Muhammad's forces during the Siege of Ta'if in 630, [4] also by the Carolingian Frankish soldiers of Louis the Pious to advance on the walls of Barcelona during the siege of 800–801, by Vikings during the siege of Paris in 885–886, by East Frankish soldiers under king ...
Testudo formation, a Roman military tactic which involved a formation of soldiers using their shields to form a tortoise-shell-like protective cover against enemy weapons; Testudo, the Latin variant of the Greek chelys harp, involving a sound-box made from a tortoise shell; Testudo, an obsolete constellation now in the constellation of Pisces
Cylix of Apollo with the chelys lyre, on a 5th-century BC drinking cup (). The chelys or chelus (Greek: χέλυς, Latin: testudo, both meaning "turtle" or "tortoise"), was a stringed musical instrument, the common lyre of the ancient Greeks, which had a convex back of tortoiseshell or of wood shaped like the shell.
The culture of Latin America is the formal or informal expression of the people of Latin America and includes both high culture (literature and high art) and popular culture (music, folk art, and dance), as well as religion and other customary practices.
Meaning from out of the depths of misery or dejection. From the Latin translation of the Vulgate Bible of Psalm 130, of which it is a traditional title in Roman Catholic liturgy. de re: about/regarding the matter
Predynastic slate palettes represent freshwater (soft carapace, Trionyx triunguis) turtles, as does the hieroglyph for "turtle", in which the animal is always represented from above. [16] Zoomorphic palettes [17] were commonly made in the shapes of turtles. A stone vase in the form of a turtle was found in Naqada. [18]
Traditions, an 1895 bronze tympanum by Olin Levi Warner over the main entrance of the Thomas Jefferson Building at the Library of Congress in Washington, D.C. A tradition is a system of beliefs or behaviors (folk custom) passed down within a group of people or society with symbolic meaning or special significance with origins in the past.
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).