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La mer was the second of Debussy's three orchestral works in three sections, the other being Nocturnes (1892–1899) and Images pour orchestre (1905–1912). The first, the Nocturnes, premiered in Paris in 1901 and though it had not made any great impact on the public, it was well-reviewed by musicians including Paul Dukas, Alfred Bruneau and Pierre de Bréville.
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
Debussy: La Mer: Orchestra Stabile Accademia di Santa Cecilia, Roma: Studio recording for HMV (not issued until 1997), Teatro Argentina, Roma Testament SBT 1108 February 1948 Rossini: William Tell (overture) Orchestra of Santa Cecilia: Studio recording for HMV Grammofono 2000 AB 78852, EMI References 7243 56550629, Naxos 8.111049-50 ,
"La Mer" ("The Sea") is a song by the French composer, lyricist, singer and showman Charles Trenet. The song was first recorded by the French singer Roland Gerbeau in ...
In the late 1920s and 1930s Coppola conducted recordings of many works of Debussy and Ravel, including the first recordings of Debussy's La mer and Ravel's Boléro. Coppola's conducting enjoyed the admiration of Debussy, although the composer never actually heard Coppola perform any of his works. [2]
"Boulez Conducts Debussy (La Mer, Prélude à l'après-midi d'un faune, Jeux)" Nikolaus Harnoncourt conducting the Concentus Musicus Wien – Bach : 4 Suites for Orchestra Leonard Bernstein conducting the New York Philharmonic – Mahler : Symphony No. 6 in A Minor and Symphony No. 9 in D Major
This prelude is an example of Debussy's musical impressionism in that it is a musical depiction of, or allusion to, an image or idea. Debussy quite often named his pieces in accordance with the image that he intended to evoke, such as in the case of La Mer, "Des pas sur la neige", or "Jardins sous la pluie".
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