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Claude Lorrain mirror in shark skin case. A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travelers and connoisseurs of landscape and landscape painting.
Late-19th century giltwood pier glass, with classical urn foliage and wheat ear cresting. This is the classic form of the pier glass. Christie's South Kensington, 14 March 2008. A pier glass or trumeau mirror is a mirror which is placed on a pier, i.e. a wall between two windows supporting an upper structure. [1]
When glass mirrors first gained widespread usage in Europe during the 16th century, most were silvered with an amalgam of tin and mercury, [6] In 1835 German chemist Justus von Liebig developed a process for depositing silver on the rear surface of a piece of glass; this technique gained wide acceptance after Liebig improved it in 1856.
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A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
Glass thicknesses typically range from 1.8 to 2.5 millimetres (0.071 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be reduced by using low-iron glass, reflection can only be reduced by an anti-reflective surface treatment.
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