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In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." [12] Free verse is as equally subject to elements of form (the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences) as other forms of poetry.
MLA Style Manual, formerly titled MLA Style Manual and Guide to Scholarly Publishing in its second (1998) and third edition (2008), was an academic style guide by the United States–based Modern Language Association of America (MLA) first published in 1985. MLA announced in April 2015 that the publication would be discontinued: the third ...
382-3 Formal conception of freedom; Buridan's Ass. 383 Idealism defines freedom. 385 Man's being is his own deed. 387 Predestination. 389-394 General possibility of evil and inversion of selfhood's place. 394 God's freedom. 396 Leibniz on laws of nature. 399 God is not a system, but a life; finite life in man. 402 God brought forward order from ...
External links to article titles should have the title in quotes inside the link. The CS1 and CS2 citation templates do this automatically, and untemplated references should do the same. Correct: Kiefer, Francine (May 29, 1998). "Clinton: The Early Years". The Christian Science Monitor. (Using {}) Correct: Kiefer, Francine (May 29, 1998).
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC. [1] [2]
Alvin Plantinga's free-will defense is a logical argument developed by the American analytic philosopher Alvin Plantinga and published in its final version in his 1977 book God, Freedom, and Evil. [1] Plantinga's argument is a defense against the logical problem of evil as formulated by the philosopher J. L. Mackie beginning in 1955.
[citation needed] Rhymed pairs of iambic pentameter lines form the heroic couplet. Two masters of the form are Alexander Pope and John Dryden. The form has proven especially suited to conveying wit and sardonic humor, as in the opening of Pope's An Essay on Criticism. ’Tis hard to say, if greater want of skill Appear in writing or in judging ill;
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.
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