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Andrew Stephen Oldham (born 1978) [1] is an American lawyer and jurist who serves as a United States circuit judge of the United States Court of Appeals for the Fifth Circuit. He previously was the general counsel to Texas Governor Greg Abbott .
The group was managed by Danny Betesh of Kennedy Street Artistes. He negotiated a recording deal with Andrew Loog Oldham, who at the same time, also managed The Rolling Stones. Mick Jagger and Keith Richards wrote the group's only hit, "So Much in Love", [1] which spent two weeks in the UK Singles Chart, reaching number 46 at the end of 1964. [2]
Andrew Loog Oldham [a] (born 29 January 1944) is an English record producer, talent manager, impresario and author. He was manager and producer of the Rolling Stones from 1963 to 1967, and was noted for his flamboyant style.
Immediate Records was a British record label, started in 1965 by The Rolling Stones' manager Andrew Loog Oldham and Tony Calder, [1] and concentrating on the London-based blues and R&B scene. History [ edit ]
Loog Records is a UK-based record label, owned by Universal Music Group, and operated as an imprint of Polydor Records.The label was launched in 2003 and managed by former NME editor James Oldham.
Tony Calder (27 June 1943 [1] – 2 January 2018) [2] was an English record manager, impresario, talent-spotter, promoter and public relations agent. He was Andrew Loog Oldham's business partner from 1963 to December 1969.
The Poets were a Scottish blues, [1] freakbeat and psychedelic pop band, who were managed and produced by Andrew Loog Oldham. [2] Some of their singles were released on his label, Immediate Records. Their cover version of "Baby Don't You Do It" was produced by Immediate in-house record producer, Paul Raven (Gary Glitter).
Nanker Phelge (also known as Nanker-Phelge) was a collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions. [1] According to manager Andrew Loog Oldham the 'Nanker Phelge' credit was mostly used for tracks where the origin lay in blues standards from the 1950s they heard when visiting the Chess studios in Chicago.