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Cyclic form is a technique of musical construction, involving multiple sections or movements, in which a theme, melody, or thematic material occurs in more than one movement as a unifying device.
Shape and form (visual arts) Silhouette; Simplicity (photography) Skypan; Slit-scan photography; Soft focus; Solarization (photography) Spirit photography; Spotting (photography) Sprocket hole photography; Star trail; Stopping down; Street photography; Strip aerial photography; Strip photography; Sunny 16 rule
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
Photographic composition techniques are used to set up the elements of a picture. These are the techniques which resembles the way we humans normally see a view Some of the main techniques that are: Simplicity (photography) Symmetrical balance; Asymmetrical balance; Radial balance; Rule of thirds; Leading lines [1] Golden ratio; Framing ...
The study considers photography as a phenomenon in which not only the visual but also the semantic component is important. [7] The basis of the concept is the representation of photography as an irrational system that uses a non-logical form as a main mechanism. [8]
Cyclic form, a technique of construction involving multiple sections or movements; Interval cycle, a collection of pitch classes generated from a sequence of the same interval class; Song cycle, individually complete songs designed to be performed in a sequence as a unit
The stroboscopic effect is a visual phenomenon caused by aliasing that occurs when continuous rotational or other cyclic motion is represented by a series of short or instantaneous samples (as opposed to a continuous view) at a sampling rate close to the period of the motion.
Zoom burst, a photograph taken with a zoom lens, whose focal length was varied during the course of the exposure. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image.