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There are different styles of milonga: milonga lisa (simple milonga), in which the dancer steps on every beat of the music; and milonga con traspié, in which the dancer uses traspiés or contrapasos (changes of weight from one foot to the other and back again in double time or three steps in two beats) to interpret the music. The beat of ...
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. [1] Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on ...
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Canaro's early milongas are generally the slowest and easiest to dance to; and for that reason, they are the most frequently played at tango dances ; "Milonga Sentimental" is a classic example. Beginning in the Golden Age and continuing afterwards, the orchestras of Osvaldo Pugliese and Carlos di Sarli made many recordings.
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The Argentine milonga and tango makes use of the habanera rhythm of a dotted quarter-note followed by three eighth-notes, with an accent on the first and third notes. [34] As the consistent rhythmic foundation of the bass line in Argentine tango the habanera lasted for a relatively short time until a variation, noted by Roberts, began to ...