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Ladd was born Sarah L. Hall in Somerville, Massachusetts, the daughter of John Gill Hall and Sarah Cushing. [1] Little is known about her childhood. On September 7, 1881, she married Charles E. Ladd, [1] a West Coast businessman and son of early Portland (Oregon) mayor William S. Ladd.
As of 2013, he is one of six regular "Art and design" critics for The Guardian website, and the only photography critic among the six. [7] O'Hagan is a nominator for the Prix Pictet Award in photography and sustainability. [n 1] The term "new lad" was coined by O'Hagan in a 1993 article in Arena. [8] [9] [10]
The leaf angle distribution (or LAD) of a plant canopy refers to the mathematical description of the angular orientation of the leaves in the vegetation.Specifically, if each leaf is conceptually represented by a small flat plate, its orientation can be described with the zenith and the azimuth angles of the surface normal to that plate.
Lily Edith White (1866–1944), also known as Lily E. White, was an early 20th-century American landscape photographer. [1] She is best known for photographs taken when she was living aboard her custom-built houseboat, the Raysark, while traveling Oregon's Columbia River with her friend and fellow photographer, Sarah Ladd Hall. [2]
Louise Helena Glover [1] (born 8 February 1983) is an English glamour model and beauty pageant titleholder, known for her appearances in British lad mags, including FHM, Bizarre, Maxim, Loaded, and tabloids such as the News of the World, The Sun, and Daily Star.
Alan Walbridge Ladd [2] (September 3, 1913 – January 29, 1964) was an American actor and film producer. Ladd found success in film in the 1940s and early 1950s, particularly in films noir and Westerns. He was often paired with Veronica Lake in films noir, such as This Gun for Hire (1942), The Glass Key (1942), and The Blue Dahlia (1946).
Lad culture did not emerge organically as with earlier British male sub-cultures such as the mods of the 1960s; rather it was a media creation. The term "new lad" was first coined - as a response to then popular concept of the new man - by journalist Sean O'Hagan in a 1993 article in the magazine Arena.
M.H. (Machiel Hendricus) Laddé [1] (5 November 1866 – 18 February 1932) was a Dutch photographer and film director. He was the director of the first Dutch fictional film , the 1896 comedy Gestoorde hengelaar (English: Disturbed Angler ).
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