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The $5.6 million award was given to support the Ready, Willing & Able transitional jobs program and was earmarked to help parolees—many of them non-custodial parents—gain employment and stay out of prison. [29] The DOL set a goal for the funded programs to cut their participants expected criminal recidivism rates by half. [30]
In 2013, Wright wrote a song called "It Starts with a Voice" to promote inclusion and acceptance of intellectually disabled people. Her husband, Ben Wright, also ran a company that employed people with disabilities; it was called "Ready, Willing, and Able" and was featured on WWAY in 2015. Wright's two older children have also been involved in ...
Ready, Willing, and Able is a 1937 American musical film directed by Ray Enright and starring Ruby Keeler, Lee Dixon, Allen Jenkins and Ross Alexander. [1] It was produced and distributed by Warner Brothers. Songs in the film were written by composer Richard A. Whiting and lyricist Johnny Mercer.
"Ready, Willing, and Able" is a popular song written by Al Rinker, Floyd Huddleston, and Dick Gleason. [1] The song was performed by Doris Day in the 1954 musical film Young at Heart, [2] The song was released in November 1954 together with "Hold Me in Your Arms", both from the same film. [3] The song is included on the soundtrack album from ...
Ready, Willing, and Able, a song by Floyd Huddleston, Dick Gleason, and Al Rinker, popularized by Doris Day in the movie Young at Heart "Ready, Willing and Able", a song by All Saints from Saints & Sinners ”Ready, Willing and Able,” a song by Petra off of their album Unseen Power; Ready, Willing and Able, 1995 album by Daron Norwood
The ability to obtain new employment if required, i.e. to be independent in the labour market by being willing and able to manage their own employment transitions between and within organisations (Van der Heijde and Van der Heijden (2005) The continuously fulfilling, acquiring or creating of work through the optimal use of efforts)
"Ready, Willing and Able" is a song written by Jess Leary and Jody Alan Sweet. It was first recorded in 1994 by Daron Norwood for his 1995 Giant Records album of the same name . It was later recorded by Lari White .
Set during the Great Depression, Blondie Johnson (Joan Blondell) quits her job after her boss sexually harasses her. She and her sick mother are then evicted from their apartment and are unable to get any government relief funds. After her mother dies, Blondie is determined to become rich.
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